Interview with AINDY: Inside Poland’s Cinematic Electronic Journey
From Warsaw’s underground scene to forward-thinking productions, AINDY shares his evolving artistic vision.
Blending progressive house, cinematic textures and emotional storytelling, AINDY is steadily shaping a distinct identity within modern electronic music. Influenced by both underground club culture and atmospheric sound design, the Polish producer creates music that balances dancefloor energy with introspective depth. In this interview, he discusses his artistic evolution, inspirations, creative process and the direction of his latest releases.
Hello AINDY, how are you today, and what have you been up to lately, both musically and personally?
Lately I’ve been consciously slowing things down. After a period of intense work, both musically and professionally, I felt the need to step back and reset. I’ve been spending more time reading, training and, importantly, reconnecting with my family, something I didn’t have enough time for recently.
I think those quieter periods are essential. They allow ideas to develop naturally without forcing anything. For me, creativity works best when there’s space around it.
Can you take us back to the beginning, when did you first start making music, and what sparked your interest in electronic music?
My connection with electronic music started very early. I was fascinated by the sound of synthesizers and artists like Jean-Michel Jarre and Mike Oldfield, and later I discovered Depeche Mode through my brother’s cassette collection.
A bit later, as I started exploring music more on my own, I came across artists like Robert Miles and Moby, who introduced me to a more melodic and emotional side of electronic music and had a strong impact on me at that stage.
A big turning point came through video games and film soundtracks. Wipeout, “Xpander” by Sasha and the Mortal Kombat soundtrack featuring Orbital had a huge impact on me. There was something cinematic and emotional in that music that stayed with me for years.
Later on, when I moved from a smaller town to Warsaw for my studies, I really got immersed in the club scene. That’s where I discovered progressive house in a completely different way, through real experiences on the dancefloor. I was going to events with Polish artists like Angelo Mike, Leon and Peres, and those nights shaped how I understood music, not just as something to listen to, but something you feel and live through.
Even today, I sometimes come back to that environment, and it still feels like a very important reference point for me.
Over time, I also became deeply inspired by artists like John Digweed, Sasha and Nathan Fake, as well as more atmospheric acts like Boards of Canada and A Winged Victory for the Sullen. That balance between club energy and emotional depth still defines how I approach sound today.
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